Interdisciplinary Humanities
Blues and Jazz
Fall Issue 2006
Volume 23.2 2006
>Joinpers
Contents
| Editor's Introduction | ||
| Lisa Graley University of Louisiana at Lafayette |
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| The Blues, Unamuno, and the Triumph of Self-Mockingly Examined Lives in Ralph Ellison's Invisible Man | ||
| Chauncy A. Ridley California State University, Sacramento |
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| The Crossroads and the Myth of the Mississippi Delta Bluesman | ||
| Melissa J. Richard University of North Carolina at Greensboro |
19
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| The Woman's Note: Reclaiming African American Musical History and Community in Ntozake Shange's Sassafras, Cypress, and Indigo | ||
| Courtney George Louisiana State University |
27
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| Serge Chaloff | ||
| Thomas O'Grady University of Massachusetts Boston |
39
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| 6 X 6 | ||
| Thomas O'Grady Universtiy of Massachusetts Boston |
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| The Things That Jes' Grew? The Blues "I" and African American Autobiographies | ||
| Daniel Stein Georg-August-University Goettingen |
43
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The Coxcomb Don' Fi' Me No Mo' Blues: An Analysis of "Come Away" in Twelfth Night and a Conjectural Performance |
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| Andrew Bretz University of Calgary |
55
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| Rattlesnake Blues | ||
| Beverly Matherne Northern Michigan University |
69
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| Contributing Positively to the Bottom Line: An Interview with George Davidson, III |
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| Claiborne Rice University of Louisiana at Lafayette |
72
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| The Long Poem and the Jazz Aesthetic: Robert Kroetsch's "The Criminal Intensities of Love as Paradise" | ||
| Cindy McMann University of Calgary |
87
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| Daoism, Freedom and Jazz Improvisation: A Rational Reconstruction of Chuang Tzu's Cook Ting Passage | ||
| J. Randall Groves Ferris State University |
99
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| Thrivin' From a Riff: Charlie Parker as Multicultural Icon | ||
| Brian Flota The George Washington University |
109 |
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| Jazz Biscuit | ||
| Matthew Glenwood Northern Michigan University |
123
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| Earning Robert Johnson | ||
| Ellen Rosenberg North Carolina School of the Arts |
125
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| To the Deep Water: James Baldwin's "Sonny Blues" | ||
| Robert P. McParland Felician College |
131
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| Hellbound on My Trail: Tramping a Perpetual [Blues] Journey: Through the American Cultural Landscape | ||
| Geoffrey Green San Francisco State University |
141
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| In Other Words, I Am Multitudinous: Charles Mingus' Beneath the Underdog and The Black Saint and the Sinner Lady | ||
| Travis Vogan Indiana University |
150
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| Book Reviews | ||
| Considering Genius: Writing on Jazz by Stanley Crouch | ||
| Tonya Hassell University of North Carolina at Greensboro |
160
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| Rockin' in Time: A Social History of Rock-and-Roll by David P. Szatmary | ||
| Michael Jauchen University of Louisiana at Lafayette |
162
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| Chicago Blues: Portraits and Stories by David Whiteis | ||
| Chuck Miller Davenport University |
166
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| Notes on Contributors |
171
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| Editorial Policies | ||
| National Association for Humanities Education |
174
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| Cover Image 88 Freight by George Davidson, III | ||
| Hand-printed linoleum block print in an edition of 42 copies, 15.5-inch by 20-inch area on a 22-inch by 30-inch sheet of RIVES BFK archival paper, 1999. | ||
| Back Cover Image X Man by George Davidson, III | ||
| Hand-printed linoleum block print in an edition of 28 copies, 5-inch by 7-inch on an 11-inch by 15-inch sheet of RIVES BFK archival paper, 1990. | ||
For availability of back isues of Interdisciplinary Humanities contact Lisa Graley, Editor-in-Chief, NAHE Interdisciplinary Humanities, University of Louisiana at Lafayette, P.O. Drawer 44691, Lafayette, LA 70504-4691. Don't forget to indicate the issue number.
©2006 National Association for Humanities Education
