| Editor's Introduction |
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| Donald F. Larsson Minnesota
State University, Mankato |
3
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| Why I Saw the movie Lili Five Times |
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| Mary Kennan Herbert Long
Island University, Brooklyn Campus |
7
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| Palimpsest |
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| David Howard & Paul
Swadel |
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8
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| A Short History of the Movies |
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| Ray McManus University
of South Carolina |
9
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| A Kind of Movice |
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| Edward Micus Minnesota
State University, Mankato |
11
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| A Motion Picture and Its Discontents: After Edward Hopper's
New York Movie |
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| Sarah Nichols |
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13
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| Lon Chaney, Jr., at the Supermarket in Capistrano Beach |
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| Richard Robbins Minnesota
State University, Mankato |
14
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Screenplay Politics and Adaptive StrategiesA Feminist Critique
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| Barbara Crowther University
of Wolverhampton, U.K. |
15
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| Time without Pity: The Contagion of différance
in Harold Pinter and Joseph Losey's "Proust Screenplay" |
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| Colin Gardner University
of California, Santa Barbara |
30
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| Warhol's Frankenstein; or, Mary Shelley's Novel
Comes Out |
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| Samuel Lyndon Gladden University
of Northern Iowa |
42
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| Esmerela Comes by Night as Postmodern Parody |
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| Jean Anne Lauer Arizona
State University |
49
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| Re-defining the Politique: Screenwriting, Auteur
Theory and the Separation of Conception and Execution |
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| Steven Maras University
of Wetern Sydney, Australia |
65
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| Celluloid Hiccups: The Returns of the Tale When Movies
Chew on Books |
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| Caroline McCracken-Flesher University
of Wyoming |
75
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| Zola(r) Energy: On the Film Adapatations of Emile Zola's
La Bête humaine |
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| Walter Metz Montana
State University |
87
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| Beyond Adaptation: Visconti's Holistic Approach to Mann
in Death in Venice |
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| Brian O'Leary Pennsylvania
State University, Erie |
106
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| The Structure of Impossibility: The Influence of Keaton's
Silent Comedies on Lorca's "Impossible Theater" |
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| Eric Reinholtz Pace
University |
117
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| Beloved: Adaption or Interpretation? |
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| Laura A. Swartz |
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126
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| Raider's of the Lost Arc: Hollywood's Appropriation of
Operatic Narrative |
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| James Wierzbicki University
of California, Irvine |
132
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| Notes on Contributors |
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147
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| Editorial Policies |
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| National Association for Humanities
Education |
151
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| Cover Art Belle
Noir |
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| by Bryan Lafaye |
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