Interdisciplinary Humanities

Dialogues in Film and Literature

Special Issue 2002

Volume 19.1, 19.2 2002

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Contents

Editor's Introduction  
     Donald F. Larsson   Minnesota State University, Mankato
3
 
Why I Saw the movie Lili Five Times  
     Mary Kennan Herbert   Long Island University, Brooklyn Campus
7
     
Palimpsest    
      David Howard & Paul Swadel  
8
     
A Short History of the Movies  
     Ray McManus   University of South Carolina
9
     
A Kind of Movice  
     Edward Micus   Minnesota State University, Mankato
11
     
A Motion Picture and Its Discontents: After Edward Hopper's New York Movie  
     Sarah Nichols  
13
     
Lon Chaney, Jr., at the Supermarket in Capistrano Beach  
     Richard Robbins   Minnesota State University, Mankato
14
     

Screenplay Politics and Adaptive Strategies—A Feminist Critique

 
     Barbara Crowther   University of Wolverhampton, U.K.
15
     
Time without Pity: The Contagion of différance in Harold Pinter and Joseph    Losey's "Proust Screenplay"  
     Colin Gardner   University of California, Santa Barbara
30
     
Warhol's Frankenstein; or, Mary Shelley's Novel Comes Out  
     Samuel Lyndon Gladden   University of Northern Iowa
42
     
Esmerela Comes by Night as Postmodern Parody  
     Jean Anne Lauer   Arizona State University
49
     
Re-defining the Politique: Screenwriting, Auteur Theory and the Separation of    Conception and Execution  
     Steven Maras   University of Wetern Sydney, Australia
65
   
Celluloid Hiccups: The Returns of the Tale When Movies Chew on Books
   Caroline McCracken-Flesher   University of Wyoming

75

     
Zola(r) Energy: On the Film Adapatations of Emile Zola's La Bête humaine
     Walter Metz   Montana State University
87
   
Beyond Adaptation: Visconti's Holistic Approach to Mann in Death in Venice  
      Brian O'Leary   Pennsylvania State University, Erie
106
     
The Structure of Impossibility: The Influence of Keaton's Silent Comedies on Lorca's "Impossible Theater"
     Eric Reinholtz   Pace University
117
   
Beloved: Adaption or Interpretation?  
     Laura A. Swartz  
126
     
Raider's of the Lost Arc: Hollywood's Appropriation of Operatic Narrative  
     James Wierzbicki   University of California, Irvine
132
     
Notes on Contributors  
147
     
Editorial Policies  
     National Association for Humanities Education
151
     
Cover Art     Belle Noir    
     by Bryan Lafaye  

©2002 National Association for Humanities Education