| Editor's Introduction |
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Keith Dorwick University
of Louisiana at Lafayette
Kevin Moberly St. Cloud
State University
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3
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"As Ordered and Governed by Divine Providence";
Jonathan Edwards' Use of the Machine as Master Metaphor |
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| James Hewitson The
University of Tennessee |
6
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| The Electric Education of Henry Adams: Inventing the
History of Technology |
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| Samuele F. S. Pardini Vanderbilt
University |
21
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| From Romanticism to Virtual Reality: Charles Babbage,
William Gibson and the Construction of Cyberspace |
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| Herbert Klein The
Institut für Englische Philologie, Berlin |
36
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| TechnoNature: Wilderness and Simulation on the "Last
Frontier" |
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| Amy Clary |
51
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| Good Bomb / Bad Bomb: Talking About Atomic Tests In Nevada |
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| Rober Jacobs Hiroshima
Peace Institute |
65
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| Technologies of Intersex |
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| Maura F. Daly San
Jose State University |
83
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Inhuman Bodies: Humanism, Automatism and Andy Wahol's a: a novel
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| Lisa Otty The
University of Edinburgh |
102
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| "I Like Machines": Boris Artzybasheff's Machine
Aesthetic and the Ends of Cyborg Culture |
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| R. John Williams The
University of California, Irvine |
120
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| Interview - Interview with Michael Moorcock |
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| Kiki Benzon The
University of Lethbridge, UK |
143
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| Poetry |
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| In Reality |
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| Donna J. Gelagotis Lee
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152
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| What My Grandson Already Knows |
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| Donna J. Gelagotis Lee |
153
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| Subscribing in the Suburbs |
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| Donna J. Gelagotis Lee
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154
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| An X-ray of Spring |
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| Donna J. Gelagotis Lee
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155
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| Going to Make a Phone Call |
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| Donna J. Gelagotis Lee
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156
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| Creative Nonfiction |
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| Artificially Intelligent |
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| David Baier The
University of Louisiana Lafayette |
159
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| Book Review |
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| E-Crit: Digital Media, Critical Theory, and the Humanities
by Marcel O'Gorman |
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| Claiborne Rice
The University of Louisiana Lafayette |
163
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| Notes on Contributors |
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167
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| Editorial Policies |
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| National Association for Humanities
Education |
171
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| Cover Image Stairway
in Sarlat by Theresa Frederick |
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| Digital photograph, 1000 x
1500 pixels, 1996. |
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| Back Cover Image The
Louvre by Miguel LaSala |
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| Watercolor, digital version,
155 X 955 pixels by Lauren Duffy, 1996 |
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