| Editor's Introduction |
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| Lisa Graley University
of Louisian at Lafayette |
3
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| Guest Editor's Introduction |
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| Rebecca Wright Phillips Brigham
Young University |
5
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| Teaching the Goddess and the Junkie: An Intertextual
Analysis of African American Dance and Music |
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| Laura M. Dennis
University of Surrey |
7
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| The Body Speaks of Sin: The Voice of Dance in the Middle
Ages |
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| Melissa Hudler Lamar
University |
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20
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| Architecture and Icon in Caroso's Nobiltà di
Dame |
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| Nancy Kane SUNY
Rockland Community College |
30
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| Canto de la Jota |
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| Holly A. Schullo University
of Louisiana at Lafayette |
41
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| Spanish Dancer |
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| Peter Ludwin |
|
43
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| Environmental Dance Photography: A History of Two Linked
Artistic Perspectives |
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| Jeff Holcombe Loomis
Chaffee School |
45
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Singin' in the Rain: The Dancer, Dance, and Viewer Dialogues
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| Janice La Pointe-Crump Texas
Woman's University |
62
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| From the Ground Up: Doris HumphreyModernist, Americanist,
Artist |
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| Kathie Debenham Utah
Valley State College |
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| Pat Debenham Brigham
Young University |
78
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| Adapt: Telepresent Artistic Collaboratories |
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| Ellen Bromberg University
of Utah |
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| Johannes Birringer Ohio
State University |
87
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| |
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| Inscribing Influence: Creative, Corporael, and Sentient
Writing as a Component of Dance Performance and Choreography |
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| Meghan C. Durham Princeton
University |
94
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| Collaboration in the Process of Bebe Miller's Verge:
An Interview |
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| Heidi Henderson Connecticut
College |
|
116
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| Putting Humanity On Stage: David Dorfman's Family
Project |
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| Pat Debenham Brigham
Young University |
125
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| Contributors |
136
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| Upcoming Issues |
139
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| Editorial Policies |
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| National Association for Humanities
Education |
140
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| Cover Art Monika's Dance |
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| Narinder Dogra, with model
Anna Eastman. |
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