Interdisciplinary Humanities

Dance

Spring Issue 2004

Volume 21.1 2004

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Contents

Editor's Introduction  
     Lisa Graley   University of Louisian at Lafayette
3
     
Guest Editor's Introduction  
     Rebecca Wright Phillips  Brigham Young University
5
 
Teaching the Goddess and the Junkie: An Intertextual Analysis of African    American Dance and Music  
     Laura M. Dennis   University of Surrey
7
     
The Body Speaks of Sin: The Voice of Dance in the Middle Ages  
      Melissa Hudler   Lamar University  
20
     
Architecture and Icon in Caroso's Nobiltà di Dame  
     Nancy Kane   SUNY Rockland Community College
30
     
Canto de la Jota  
     Holly A. Schullo   University of Louisiana at Lafayette
41
     
Spanish Dancer  
     Peter Ludwin  
43
     
Environmental Dance Photography: A History of Two Linked Artistic    Perspectives  
     Jeff Holcombe   Loomis Chaffee School
45
     

Singin' in the Rain: The Dancer, Dance, and Viewer Dialogues

 
     Janice La Pointe-Crump   Texas Woman's University
62
     
From the Ground Up: Doris Humphrey—Modernist, Americanist, Artist  
     Kathie Debenham   Utah Valley State College
     Pat Debenham   Brigham Young University
78
     
Adapt: Telepresent Artistic Collaboratories  
     Ellen Bromberg   University of Utah
     Johannes Birringer   Ohio State University
87
     
Inscribing Influence: Creative, Corporael, and Sentient Writing as a Component    of Dance Performance and Choreography  
     Meghan C. Durham   Princeton University
94
     
Collaboration in the Process of Bebe Miller's Verge: An Interview  
   Heidi Henderson   Connecticut College  
116
     
Putting Humanity On Stage: David Dorfman's Family Project
     Pat Debenham   Brigham Young University

125

     
Contributors
136
   
Upcoming Issues
139
   
Editorial Policies  
     National Association for Humanities Education
140
   
Cover Art     Monika's Dance    
     Narinder Dogra, with model Anna Eastman.
    

©2004 National Association for Humanities Education