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2007 NAHE Conference AGENDA Wednesday, 28 February 2007 11:00 a.m. - 6:00 p.m. Conference Registration Lower Lobby Foyer 12:30
p.m. - 2:00 p.m. SESSION
I (A-C) Nevada, California,
"A House-Broken
Heart: Marginality, Desire, and the Super-Ego in Barnes's Nightwood"
"Splitting
of the Self: Corporeal Manifestations of 'Second Selves'" "Polymorphous
Desire and the Imagination: Giving in to the Pleasure Principle within the
Framework of the Humanities" "Delusions
of Grandeur: Paranoia in the Life and Work of Philip K. Dick"
"Incantations/Recantations:
Sacred Desire, Mystical Love, and the Body Feminist "
Section II-A: HUMANISTIC EDUCATIONS: MEDICINE, LAW, ENGINEERING California Room "Health
Sciences LEAP: Infusing Humanities into Pre-Professional Medical Education" "Transforming
How Doctors are Trained: Dissonance and Harmony in Medical Humanities" "Human(it)zing
Justice" "Turning
Engineering Students on to the Arts"
"Shared
Experience and Identity: Using Online Games to Teach Composition" "Interrogating Conversation: Complicating the Ethics of Hospitality in Homicide: Life on the Streets" Brandy Grabow, University of North Carolina at Greensboro "The Humanities
and Baseball" "'Unnatural,
unclean, and filthy'": Chinese-American Cooking Literature Confronting
Racism in the 1950s"
Section
III-A: Workshop: "Engaging Dissonance for Transformation: Classroom Techniques
to Create a Learning Community" Section
III-B: Workshop: "Shakespeare Then/Shakespeare Now: Theater History and
Performance-Based Methodology" Nevada
Room Section III-C: HISTORICAL USES OF DISSONANCE AND HARMONY IN THE HUMANTIES Oregon Room "Making
Use of Milton: Why a Puritan Humanist Works So Well in Today's Classroom"
"Transformation of Innocence: Reflecting American Identity in the Mythology of the Twin Towers" Cerena Ceaser, San Francisco State University "Dissonance
and Harmony: General Winfield Scott's Policy of Pacification in the Mexican
American War of 1846" "Simultaneously Autonomous and Unfree: Teaching Dissonance and Ambivalence in Wartime" David Jenemann, University of Vermont [Session Chair]
Dinner on your own
Thursday, 1 March 2007
Section
IV-A: ART, LITERATURE, AND PHILOSOPHY "Virginia
Woolf's Aesthetics: A Convergence of Phenomenology and Feminism " "The Weak
Novels of Milan Kundera" "The Making
of Black Men: Phenomenology in Cecil Brown's The Live and Loves of Mr.
Jiveass Nigger, Clarence Major's All Night Visitors, and James
Baldwin's Another Country" "Fluidity
and Fixity: Monet's Reflections on the Perceiving Self"
"Wisconsin
Death Trip(typch): Us, Them, and Context" "Frontier
Theory: Uniting the Literature of the United States" "'What [We]
Have Left'": The Southern Swamp and Cultural Identity in Linda Hogan's
Power and Randall Kenan's Let the Dead Bury Their Dead" "Transforming
Landscapes: Ellen Gilchrist's New Orleans Poetry and Fiction as Literary Reflection/Refraction
of Clarence Laughlin's Photography" Section IV-C:
Panel Presentation: "Outcomes Assessment and the Humanities" Nevada
Room "Why
Outcomes Assessment Is Integral to the Humanities" "Performance
and Assessment" "Humanities
Assessment: Top-Down and Bottom-Up" Section IV-D:
PERFORMALITY AND TRANSFORMATION "Six Players in Search of a Role: Casting as a Liminoid Performance and Transformational Process" James A. Bell, Grand Valley State University "Adopting
a Creative Approach to Creative Student Practice" "Genevieve
Stebbins and the Performance of Interdisciplinarity" 10:30 a.m. - 10:45 a.m. Break Lower Lobby Level
Section
V-A: TRANSFORMATIVE PEDAGOGIES "The Hidden
Agenda of Writing Across the Curricula" "An Interdisciplinary
Approach to Meeting Writing Demands of the Workplace" "Thrown
to the Wolves: The First Year Experience as Ritual Initiation" "A Tale
of Two Transcriptions: Essays in Jazz and the Teaching of Academic Writing"
"TheWordless
Picture Book as an Interdisciplinary Text" "Multilingual
Dissonance in Third Language Acquisition" "PLAY: The
Evolutionary Structure of Culture and Consilience of Disciplines"
"Our Landscapes
of Home: Teaching in Learning Communities on the Olympic Peninsula" "Salmon,
the Klallam Language, and the Gift Economy" Returning to
Wirikuta: Peyote and the Huichol Indians "Narrating
Mexico: Hybrid Identities in Testimonial Literature" Section V-D:
Workshop: "KIDS PERFORM" (Staging Shakespeare with Elementary/Middle
School Students) Redwood
Room
Section VI-A:
Panel Discussion: "A Capstone Seminar in the Humanities: Presenters: Tara
Tuttle and Michael Williams, University of Louisville
"From Renaissance
Wellspring to World War Battlefield: Reading and Teaching Andrea Zanzotto's
The Woodland Book of Manners" "Understanding
Landscape: An Interdisciplinary Approach "A Walk
at the Edge of the Empire"
"Power and the Fluidity of Privilege and Oppression: The Case of Tuskegee and Invisible Man" Barbara A. Baker, Tuskegee University "Making
Sense of Huckleberry Finn's Ending, 121 Years Later: Another Possible
Reading" "'The Red
Rag to the Bull': Reading Claude McKay's Banjo as a Critique of Hemingway
and 'The Lost Generation'" "Hell's
Belles: Southern Moralists and the Making of White Southern California, 1915-1930"
"Anime in
Interdisicplinary Humanities Courses" "From Guttenberg
to the BBC: Discovering the European Roots of American Media" "Scientists
and New Romantics: Dante, Goethe and the Scientific Method" "Building
Civic Engagement through Service-Learning Projects in Interdisciplinary Humanities
Courses"
Section VII-A:
HUMANISTIC CULTURAL REPRESENTATION "Homework
for Dessert: Multiple Intelligences and Media Studies in the Home" "Transformations
of a Textile Innovator: Jack Lenor Larsen" "Swimming
Symbols of a Modern Nation? The Politics of Painting on German Passenger Ships,
1910-1914" Section VII-B: CROSSING NATIONAL BOUNDARIES: HIERARCHIES AND TRANSFORMATIONS Nevada Room "The Vestige of Court Poetry in Modern Yoruba Musicians: A Study of Sikiru Ayinde Barrister " Busuyi Mekusi, University of the Witwatersrand "Chinese
Expressions of Circular Synthesis" "The Transformation
of Mongolian Art"
Section
VII-D: Panel Presentation: Identity, Representation, Collaboration: Interdisciplinary
Pedagogy in a First-Year Experience Program Redwood
Room "Cultural
Representations of the Body" "Minding:
A Case Study in Philosophy and Psychology" "Melting
Pot to Mosaic: Immigration, Race, and Ethnicity"
4:00 p.m.
- 5:30 p.m. SESSION VIII (A-D) Oregon,
Nevada, California, Section VIII-A:
GLOBALIZATION AND EDUCATION "Globalization
and Postcolonial Education: A Philosophical Perspective" "Speaking
Volumes-The Role of Religion in History Textbooks in Chennai, India"
"The Transformation
of Humanities Education in Ireland: European Education Policy and the Transmission
of National Culture" "What to
do after you have the Right Answer: Introducing Uncertainty while Teaching
Literature in the Middle East" Section VIII-B: IMAGE AND TEXT Nevada Room "Remembering/Disremembering
Fizzles: Samuel Beckett's Collaboration with Jasper Johns" "George
Herbert's 'Easter-Wings'-Dialogue Between Text and Image in Renaissance Pattern
Poetry" "Reading
as Seeing: Intermediality in Early American Fiction" "Sister
Arts and Brothers in Arms: Molière, Mignard, and the Rules (and Rulers)
of Painting"
"How Leslie
Fiedler Saved My Semester" "Teaching
Fictions: The Failure of Tradition and Hope for the Future" "Teaching
Textual Inquiry: Filling in Gaps 'Foundherently'" "From the
Popular Front and the New York Intellectuals to Identity Politics and Mass
Culture: The Legacy of Leslie Fiedler" Section VIII-D:
PERFORMANCE IN DANCE AND THEATRE "The Two
Play Problem: Exploring Williams' Original Conception of The Glass Menagerie"
"Choreographic
Transformations: Incorporating Giselle Into the Interdisciplinary Canon"
Welcome: Marcia Green, President and Joana Owens Program Chair NAHE Business: Marcia Green, President Passing
of the Gavel: Marcia Green to Donald Larsson KEYNOTE
ADDRESS: Marjorie Perloff, Ph.D. Welcoming Reception Emerald Ballroom
9:00
a.m. - 5:00 p.m. Conference Registration/Book Exhibits
9:00 a.m.
- 10:30 a.m. SESSION IX (A-D) Oregon,
Nevada, California, Section IX-A:
THE BEATS: TRANSGRESSIONS AND TRANSFORMATIONS "Allen Ginsberg:
Clothed in Nakedness" "The Aesthetic
of Weldon Kees" "Celebrating
Beat Literature: 1955-Present"
"The Supplement--Gadamer's
and Derrida's Theories of Interpretation" "Truth and
Truthfulness: The Hermeneutic Perspective in Orson Scott Card's Xenocide"
"Dickens
and the Mechanics of Education: The Case of the Teacher and the Flâneur
in Our Mutual Friend" Section IX-C:
MUSICAL FORM, CREATION, RESPONSE "A Review
of Two Psychoanalytic Biographies of Beethoven: Their Relevance for Humanities
Courses on Western Music" "Music Listening
as Music Making" "Benjamin
Britten's Auden Songs: Resuscitating 'Volume II'" "Adequate
Form: Theme and Variation in Keats and Beethoven" Section
IX-D: FILM, MEDIA, AND THE POLITICS OF SOCIAL CHANGE "Taking_a_part:
A Mixed-Media Exploration of Art, Social Agency and Change' "Why Greeks
Tolerate Violent Student Protest" "'There
is no logic in this'": Orson Welles's Transgressive Challenge to Cold
War Paranoia in Mr. Arkadin (1955) 10:30
a.m. - 10:45 a.m. Break Lower Lobby Foyer 10:45 a.m. - 12:15 p.m. Plenary Session Redwood Room KEYNOTE
ADDRESS: Robert Scholes, Ph.D.
12:30 p.m.
- 2:00 p.m. SESSION X (A-D) Oregon,
Nevada, California, Section X-A:
REPRESENTATION AND REALITY "Men of
Our Times: Man Underground and Jean-Baptiste; An Existential Analysis of Bad
Faith in Two Literary Characters" "Pictures
Telling the Story: Dickens, His Illustrators, and the Influence of William
Hogarth" "Authenticating
the Black-Indian Body" "Beckett,
Bruegel, The Matrix, and the Dynamics of Hope"
"The Worst
Wolves Are Hairy on the Inside: Metaphor in Angela Carter's 'The Company of
Wolves'" "Mary Cassatt's
Modern Woman and the 1893 Chicago World's Fair" "'Wrestling
with Demons or Angels or Both': Art, Ambiguity, and the Potential for Self-Transformation
with/in Elizabeth Rosner's Blue Nude "Hostages
in the Rose Garden: Feminine Neurosis in La Belle et La Bête'"
Section X-C: HUMANISTIC REPRESENTATIONS OF SPIRITUALITY AND PROFANITY ACROSS THE DISCIPLINES Oregon Room "Incorporating
Music in Humanities Courses: A User's Guide" "The Blues:
At the Crossroads of Sacred and Profane " "The Wisdom
of the Saints: Illuminating Ecological Consciousness through Mystical Experience" "Jacob's
Ladder: Angel Encounters in 20th Century Literature, Art, and Film" Section
X-D: EXPLORATIONS IN MUSIC AND FILM "Whitman's
Periodical Travels as Music Critic" "Dissonance
and Harmony and the 'Household Symphony'" of George Cukor's Gaslight
"Identity
Under Construction: Samuel Barber's Adagio for Strings in The Elephant
Man and Lorenzo's Oil " "Transformation
of the 'Psycho Theme' in Bernard Herrmann's Music for Psycho
Section XI-A:
HUMANISTIC PEDAGOGY IN CONTEMPORARY SOCIETY "Transformations
in the Classroom: Re-Inventing the Interdisciplinary Humanities" "What Would
Horace Mann Say About "No Child Left Behind"? "Assessment
in the Humanities: How Do We Know We are Widening Their Horizons?"
"Teaching
Ekphrastic Poetry: Where Poetry and Painting Meet" "Literary
and Architectural Aesthetics" "Teaching
Henry James, Virginia Woolf, and Frank Lloyd Wright: Interiority, Consciousness,
Time, and Space in the Modernist Novel and the Home" Section XI-C: QUESTIONS OF IDENTITY: COLONIAL, POSTCOLONIAL, GLOBAL Oregon Room "Playboys
Armed and Kittish: A Look into the Social and Political Function of Matura's
Playboy of the West Indies" "Female
Subjectivity and Multiconsciousness in the Fiction of Nayantara Sahgal and
Anita Desai" "The Crisis
and Restructuring of Global Identities Represented in Tsitsi Dangarembga's
Nervous Conditions and Zadie Smith's White Teeth" "Mohammad
Iqbal on Connections Between Self, Nation, and the World"
"Hitchcock's
Homosexuals: An Analytical Perspective of the Homosexual Sociopath" "Living
the Don Juan Myth: Psychoanalyzing Slim's Pimp: The Story of My Life" "To Die
Upon a Kiss: The Violent Lover in Popular Culture"
Panel Presentation:
"Cultural Studies and the Question of 'Academic Freedom'" Redwood
Room "'Academic
Freedom' Means 'Freedom from Necessity': A Riposte" "Exploring
the Limits of 'Freedom'": Implementing Contentious Curricula in the Writing
Classroom"
Saturday, 3 March 2007
Section XIII-A: SHAKESPEAREAN MEANINGS Washington Room "Horus,
Hamlet, and the End of the Violence Cycle" "If It's
Not One Thing, It's Your Mother: Hamlet on Film" "Arms and
Letters as Instruments of Dissonance and Harmony: A Study of Shakespeare's
As You Like It and Romeo and Juliet " "Teaching
King Lear as a Metaphysical Thought Experiment" Section XIII-B:
APPROACHES TO WOMEN'S WRITING: TRAUMA, PERCEPTION,DIVERSITY, TRANSFORMATION "The Transformative
Power of Silence: Trauma Narratives of Marginalized Mothers" "Black Dog:
End-Run on a Train from Stonestown" "A Case
for The Octoroon: Diversifying the Pedagogical Scope of Mary Elizabeth
Braddon and Victorian Literature" "Italy Revisited
and Reinvented by Contemporary Women Writers" Section XIII-C:
Panel Presentation: Transforming Teaching: (Re)Written Boundaries of Equity
in Film, Composition & Literary Studies" "Transforming
Education" "Teaching
Film as Literature: A Novel Approach to Transforming the Classroom" "Things
within Things: The Use of Alice Munro's Writings as a Pedagogical Device" "Queering
Composition" Section XIII-D:
BEYOND TRANSGRESSIVE TRANSFORMATION: LITERATURE AND FILM, MODERNISM/POSTMODERNISM "The Fascinating
Liminality of Jorge Luis Borges" "Modernity
and Beyond" Section XIII-E:
Off Mike: A Memoir
of Talk Radio & Literary Life 10:30 a.m. - 10:45 a.m. Break Lower Lobby Level
Section XIV-A:
Workshop: "No More Excuses: A Stress-Free Method for Managing Students"
California
Room Section XIV-B: INTERDISCIPLINARY TRANSFORMATIONS OF EMOTION AND INTERPRETATION Nevada Room "Burke's
Four Master Tropes: A New Way of Reading Robert Frost's 'Dust of Snow'
"Heuristics
Qua Hermeneutics" "Poetry,
Aviation, Damnation: Flight in the Epic Underworld Topos and its Afterlife'
Len Assante,
Volunteer State Community College
"Ekphrasis
and Performance-Based Pedagogy" "Verlaine
Across the Disciplines"
Luncheon
Address : John Bassett, Ph.D. |
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